Obiettivo Sony Planar T* FE 50mm F1.4 ZA

Tipo di Prodotto

 Obiettivo

Immagini di prodotto (clic per ingrandire):

Specifiche

Marca

Sony

Modello

Planar T* FE 50mm F1.4 ZA

Tipo di acquisto

Unica soluzione

Note sul Prodotto

prodotto con Zeiss

Attacco	Sony E
Sotto-tipo attacco	FE (Formato pieno)
...per sensore / ritaglio	Formato pieno 1.00x
Focali
Focale nominale	50 mm.
Focale equiv. (35mm)	50 mm.
Rapporto di Zoom	1x
Zoom motorizzato	No
Zoom si estende	No / n.a.
Diaframma
Massima Apertura	f/1.4
Lamelle diaframma	11
Anello diaframma	Sì
Diaframma continuo	Sì
Anello configurabile	No
Messa a fuoco
Autofocus	Sì
Fuoco interno	Sì
Trasmissione fuoco	Indiretta
Info distanza fuoco	No
Min distanza fuoco	45 cm.
Max ingrand. (ott.)	0.15x
Max ingrand. (eff.)	0.15x (equiv. in 35mm)
Costruzione
Stabilizzazione	No
N° di lenti/gruppi	12/9
Elementi speciali	2 asferici, 1 a dispersione extra bassa
Asferici	2
A dispersione extra bassa	1
Filtro frontale	72 mm.
Tropicalizzazione	Sì
Contatti elettrici	Sì

DPReview Comparison with Sony Sonnar T* FE 55 mm F1.8 ZA
No reservations recommending this lens. That said, if you can spend extra time processing out the axial CA in post, don't mind onion-ring bokeh in out-of-focus highlights, aren't bothered by coma and don't need the extra isolation or light-gathering capability of F1.4, the 55/1.8 is a compelling alternative that is lighter and cheaper, while offering smooth background bokeh and impressive, if not necessarily much greater, sharpness wide open and faster AF.
Fred Miranda Comparison with Sony Sonnar T* FE 55 mm F1.8 ZA
-) Both wide-open, the 55/1.8 out-of-focus rendition is smoother even when compared to the 50/1.4 ZA when the background is close to the subject. Whenever the background is further away, the advantage goes to the faster lens.
-) The 50/1.4 is much better corrected for CA and LoCA.
-) The 50/1.4 ZA and FE 50/1.8 ZA are very comparable wide-open in terms of sharpness but the 50/1.4 has higher micro-contrast.
-) The 50/1.4 at f/1.7 is noticeably sharper than at f/1.4.

Admiring Light
The only two things that are bad about the lens: it’s quite big, and it’s quite expensive. If you can get past those, there’s absolutely nothing left to worry about. Optically, this is the finest 50mm lens I’ve ever used and is among the finest lenses of any focal length I’ve ever used. It’s exceptionally sharp across the entire frame right from f/1.4 [...]. The bokeh is excellent and it controls almost all aberrations extremely well.
Dustin Abbott
It is just the kind of lens that Sony FE needs – a premium option that rivals (and even surpasses) the best available on competing systems. It has a premium build, premium mechanics and features, and premium optical results. It is expensive, yes, but it surpasses the build, handling, and real-world performance of the Sigma 50mm f/1.4 on the lower price point end, [...] though big and heavy.
Enthusiast photoblog 8/10
The image quality is absolutely stunning. Wonderful contrast, razor like sharpness, smooth bokeh. I can’t find anything to complain about in terms of image quality. In terms of build, I wish it had a focus hold button and unfortunately, the focus is not entirely completely silent. [..] Thought, many enthusiasts bought into the Sony system in order to reduce their system size. The size of the 50mm F/1.4 defeats this goal.